Skip to main content

Drawing What They See at the Guggenheim


Yesterday morning in a special event at the iconic Solomon R. Guggenheim Museum (which they had all to themselves) our seventh graders presented "Learning to See through Art," the culmination of their winter term study of the foundations of observational drawing.

During the unit, which was conducted over several sessions at the Guggenheim, the boys had carefully studied various works of  Picasso, Seurat, Gaugin, Cezanne, and others in the Thannhauser Collection, before selecting the one they would draw as their final project.


The event began with the boys in teams, leading their parents, faculty and staff on gallery tours of the modern masterpieces they had selected to draw. At each work of art, our boys acted as docents, explaining the artist and artwork, and why they were attracted to it.


Some mentioned being intrigued by the curves in a painting, others by the brushwork or shading. They also divulged how they addressed the challenges they encountered when trying to draw what they saw.


After the tour, the boys invited their parents to join them in the rotunda where they shared the drawing techniques they had learned. Armed with pencils and drawing pads, parents were now the eager students of their boys.

The session closed with a Foundations Exhibit, a curated collection of the boys' artwork on display in the Guggenheim's art studios.


Through this experience, the boys learned that observational drawing requires focus, concentration, effort and practice, and using their minds in ways far different than usual: to see the negative spaces in compositions, to uncover the underlying shapes on a canvas. 

This class debunks the myth that observational drawing requires possession of a mysterious, innate talent. Rather, the boys come to see that it entails mastery of skills and techniques, such as contour and angles and proportions, that can be taught and learned. Their final drawings, displayed proudly on the art studio walls, are visible evidence of this--a record of a process.


What a remarkable opportunity and experience this partnership with the Guggenheim, under the guidance of our art teachers Jenna Boccella and Mark Sunderwirth, affords our boys. 

To hear the boys speak so analytically, to see the result of this study, inspires one and all to pick up a pencil, pull out a sheet of paper, be still, quiet, look, and draw.

Comments

Popular posts from this blog

NE Patriot Tom Brady at Saint David’s

Last night, Saint David’s was honored to have one of the greatest quarterbacks of all time, four time Superbowl champion and three-time MVP winner Tom Brady, as the guest speaker for our Alumni Parents Council Lecture Series. Tom, who is the father of one of our Saint David's boys, addressed a standing-room-only audience in Hyman Hall comprised of our eighth graders, alumni, alumni parents and faculty. Friendly, introspective, witty, and wise, he directed his talk to the delighted eighth graders in the front of the room, and focused on the topic of leadership. “You are the young men and leaders of Saint David’s,” he noted. Tom debunked the perception that leaders are born not made, and credited his leadership abilities to “standing up to and facing fears” and to “cultivating a mental strength,” which he cited as “more important than being physically strong.” He also stressed the importance of working hard, honoring teamwork, believing in oneself and being a good lis...

Fascinating Art Talk by Michelle Marder Kamhi at Grandparents Event

Yesterday evening, independent scholar and critic Michelle Marder Kamhi ( www.mmkamhi.com ), co-editor with husband Louis Torres of Aristos , an online review of arts; author of Who Says That's Art? A Commonsense View of the Visual Arts ; and grandmother of two Saint David's boys, gave a thought provoking talk on art for our grandparent community. An advocate of objective standards in arts scholarship and criticism, Ms. Kamhi focused her talk on the ways in which art critics such as Clement Greenberg promoted the shift from representational art to abstraction. Kamhi argues that the abstract and post-modern art prevalent today, which often requires explanation by docents in order to be understood, goes against art's purpose. Taking issue with Greenberg's contention that representation is an expendable convention of painting, she quoted the late art critic John Canaday: "Art is the tangible expression of the intangible values that men live by." ...

Digital Universe Unit With AMNH-Hayden Planetarium Kicks Off

The second year of our unique partnership with the American Museum of Natural History-Hayden Planetarium kicked off on Friday when the sixth grade had their first session of the Digital Universe unit. The session included a private viewing at the planetarium in which boys were able to explore the entire universe. They and their teachers were invited to view the show from the vantage point of the floor in the center of the round theater, staring up into the apex of the dome. What an amazing perspective! Museum educator and astro-visualization expert Nathan Belomy took the boys on a tour of the observable universe, allowing them to get a feel for the scale of distance and size in the universe. In a fun activity related to scale, the boys set down  a volleyball (representing the sun) at 79th Street, and walked for blocks down Columbus avenue with the planets in our solar system represented by a variety of smaller objects – a cupcake sprinkle, a marble – predicting and then m...